From The Editor


Welcome to Analog Science Fiction and Fact!

A lifelong appreciation of science fiction has led me to an incredibly fulfilling career with Analog, and I'm proud to carry on the magazine's long-standing tradition of publishing the world's finest science fiction and fact.

During my tenure at Analog, I've had the profound privilege of working with hundreds of authors, editors, TV producers, and many other notables in the science fiction field. As the editor of the longest-running SF publication in history, my personal mandate is to continue to provide the top-quality, ground-breaking hard science fiction that has characterized Analog since its launch. Welcome!

- Trevor Quachri


About the Editor

Trevor Quachri has been the Editor of the Hugo Award winning magazine, Analog Science Fiction and Fact, since 2012.

Prior to taking over the reins at Analog, Trevor's editorial skills were honed working with Stanley Schmidt (Analog Editor 1978-2012), Sheila Williams (Asimov's Science Fiction Editor 2004-present), and Gardner Dozois (Asimov's Editor 1986-2004). He brings to Analog a unique and reverent perspective on SF. In addition to his lifelong love of science fiction, Trevor draws upon his diverse past experiences – on Broadway, on special museum projects involving rigorous scientific data analysis, on collaboratively producing a pilot for a SF-based television show – to continue Analog's storied tradition of ground-breaking hard science fiction.

This Issue's Editorial

Dystopic? Or Myopic by Edward M. Lerner

I read and watch a fair amount of science fiction. More and more, in that reading and viewing, I encounter dystopias: societies whose distinguishing characteristics are hopelessness and misery.


Note that I’m not criticizing literary classics like Brave New World (Aldous Huxley, 1932), Anthem (Ayn Rand, 1938), and Nineteen Eighty-Four (George Orwell, 1949). I get why the societies presented therein are so terrible and repressive. The entire point is an existential conflict between extreme, soul-crushing tyranny and the protagonist’s aspirations for autonomy and dignity. That the circumstances under which each dystopia arose are not fleshed out? That elements of each repressive society seem at times less than one hundred percent realistic, much less sustainable? 


You can email Trevor Quachri at See his interview about his goals for Analog with Carl Slaughter here:

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